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Speculative Fiction Wiki

Speculative fiction is a literary genre that straddles the line between science fiction and fantasy. The term is credited to Robert Heinlein, though there are many other citations as well.

Speculative fiction is often used to highlight the struggles of marginalized communities or as a way to envision brighter futures. It is a super-genre that includes everything from Jules Verne’s adventure stories to dystopian novels and beyond.

Definitions

Speculative fiction is a broad term that encompasses many different genres. It includes science fiction, fantasy, magic realism, horror and utopian and dystopian fiction. It is also sometimes used as an umbrella term to describe any fiction that does not fit into the traditional literary realism category.

For example, Mary Shelley’s novel Frankenstein is a classic piece of speculative fiction. It is a story about a scientist who creates a monster. The monster turns out to be a hideous creature that is rejected by mankind. The story raises many questions about the nature of life and the human condition.

The exact definition of speculative fiction is often debated by critics, authors and readers. It has become a catch-all term that is used to describe any work that does not fit into the traditional categories of science fiction, fantasy and horror. Some writers, such as Margaret Atwood, have proposed new definitions for the genre that are more inclusive and less restrictive than previous ones.

Subgenres

Subgenres may be as loose or as strict as they like, but they tend to form around a common stylistic element. For example, magic realism describes recognizable worlds with a hint of unexplained magic that enchants readers and adds an intoxicating element of “what if?”

Other genres often have their own subgenres within the broader category of speculative fiction. For instance, the science fiction genre has many overlapping axes and a variety of subtypes including hard science fiction (characterized by a high degree of scientific detail and accuracy) and cyberpunk (which fuses elements from hacker and underground/punk culture).

Dystopian literature, another broad subgenre within speculative fiction, describes a future where society has gone wrong in a wide range of ways. It includes classic futuristic narratives such as George Orwell’s Nineteen Eighty-Four and Anthony Burgess’ A Clockwork Orange and contemporary book series such as Lois Lowry’s Giver Quartet and James Dashner’s Maze Runner books. The genre also encompasses feminist dystopian works such as Margaret Atwood’s The Handmaid’s Tale.

Tropes

Science fiction is a genre full of tropes. While many of these are fun to read and watch, they can become repetitive if writers rely on them too often. To avoid this, writers should use their imagination and think of different ways to twist a classic idea.

For example, aliens in sci-fi stories should not be stereotyped as an oppressed group or a purely evil one. Instead, aliens should be unique and interesting. Similarly, it is important to avoid outdated space travel tropes such as faster-than-light travel.

Other common science fiction tropes include apocalypses, post-apocalyptic settings, and alternate universes. Speculative fiction can also incorporate science into superhero stories. However, not every apocalypse or post-apocalyptic story is sci-fi, so writers should be careful to make sure they are using the right genre. Moreover, science fiction can also be used to explore new civilizations and cultures. For example, Nnedi Okorafor’s book Binti combines some of these themes.

Authors

Speculative fiction is a literary genre that takes the “what if?” approach to examine earthly themes such as love, loss, family, and morality. It allows authors to examine these issues with a unique, fantastical twist. For example, Mary Shelley’s speculative science fiction novel Frankenstein; or the Modern Prometheus (1818) and Aldous Huxley’s speculative fiction novel Brave New World (1932) were both considered important novels of their time for their social commentary.

In the 2010s, speculative fiction experienced a rebirth after Margaret Atwood’s bestselling speculative fiction narrative The Handmaid’s Tale was adapted into a Hulu series. Author Alexis Schaitkin has also garnered attention for her speculative fiction novel Elsewhere, in which she explores the complexities of motherhood with a unique, fanciful lens. Other respected authors who have written speculative fiction include Kurt Vonnegut, who wrote many science fiction novels, and Mary Shelley, who penned several science fiction works including the classic Frankenstein; or, The Modern Prometheus (1818).

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Genres of Speculative Fiction and Horror Articles

Fiction that pushes the boundaries of what could be real without breaking immutable scientific laws. This category includes sci-fi and fantasy, as well as other non-mimetic genres such as magical realism.

This understanding of speculative fiction has been controversial among many readers, authors, and scholars. It has been accused of being too broad, nebulous, and unproductive.

Fantasy

As a genre, fantasy has its roots in ancient mythology and legends. Its core is an epic journey of a hero who realizes their true nature over the course of the quest. It is also often associated with fairy tales and folklore.

Fantasy is not to be confused with science fiction. While both involve events that can not or may not exist, fantasy has a more magical element.

It can take the familiar and give it a twist as in the genre Steampunk. It can also use magic and supernatural occurrences to reflect real-world issues. This is what makes it different from the weird or horror genres.

Many writers enjoy writing fantasy because it allows them to be creative and have a sense of wonder. It also allows them to tackle difficult topics such as coming to terms with failure and betrayal. The genre can also help readers understand that they are not alone in their struggles.

Science Fiction

Science fiction is a subgenre of speculative fiction that often includes futuristic, fantastical concepts such as advanced technology, space exploration, time travel, parallel universes and extraterrestrial life. SF literature can feature technology that exists or is predicted to exist, such as robots and supercomputers, or completely fictitious inventions like faster-than-light communications and holograms.

The genre can also examine the effects of scientific or technological change, both good and bad, on a given society or people as a whole. As a result, some writers may use sci-fi as a vehicle for social commentary and aggressive satire. The genre can also offer a sense of belonging for outsiders through the creation of fictional worlds and the ability to inhabit them by reading stories. This is particularly true for works that challenge traditional notions of race, gender and identity. For instance, Philip K. Dick’s novel Ubik, a science fiction classic that explores race and identity, posits the idea that turnabout is fair play.

Horror

Horror articles elicit a strong emotional response from readers, often fear and dread. They use common storytelling techniques, such as foreshadowing and surprise, to create suspense. They also use characters and settings that are recognizable or relatable to the reader, which increases their sense of discomfort. The climax of a horror story usually involves the protagonist summoning the courage to face their fears and defeat the monster, or themselves sacrificing themselves in order to preserve the lives of others.

Some scholars argue that horror should be included within speculative fiction, but not all scholars are comfortable with the inclusion. Some are concerned that a broad definition of the genre will allow scholars to dismiss works that do not fit into traditional categories, such as those that include counterfactual narratives or past and present settings, while other scholars point out that the term has already expanded to encompass many texts that overlap with science fiction and fantasy.

Dystopia

Often, dystopian articles focus on the loss of freedom and individuality. This theme appeals to teen readers because it can remind them of their growing sense of agency as they make decisions about their futures. These stories also give teens a way to see societal trends like inequality and environmental damage as something they can change.

Dystopian novels are able to grab readers’ attention through their bleak settings and intriguing plots. Think of George Orwell’s “Animal Farm” – which uses the idea of an idealized communist society to warn of its dangers – or James Dashner’s apocalyptic, war-torn world in The Maze Runner. In a dystopian setting, characters must deal with the effects of natural disasters, social injustice, and governmental control. These articles present readers with a future they don’t want to imagine, and this makes them more engaging than a standard essay. For example, if a student reads a story about a world where women have been eradicated, they may be compelled to learn more about the topic, leading them down a path of inquiry that could change their lives forever.

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What is a Speculative Fiction Novel?

A speculative fiction novel is one that takes the reader to an unfamiliar world. It often explores themes that go against commonplace, materialist laws such as faster-than-light travel.

Some readers disdain speculative fiction as unreal. Ask them to justify their prejudice and you will usually find they never read the likes of Gormenghast or The Lord of the Rings.

Fantasy

It’s difficult to separate science fiction from fantasy, because both genres deal in the ’what if’. Science fiction is the more logical version of speculative fiction, while fantasy explores what is impossible.

Generally, fantasy worlds are populated by mythical creatures that can’t be found in the real world. Characters often possess supernatural powers that aren’t explained through scientific or mathematical means.

Some speculative fiction works straddle the line between fantasy and sci-fi, such as Margaret Atwood’s The Handmaid’s Tale or Gabriel Garcia Marquez’s One Hundred Years of Solitude. Another example is soft/sociological SF, where advanced technology plays only a minor role in the story and is used to examine social issues such as inequality or overpopulation. Animated movies such as Princess Mononoke and Laputa: Castle in the Sky are also examples of this type of speculative fiction.

Science Fiction

Science fiction is a genre of fictional literature and films that imagine possible future technological and scientific advancements and their societal consequences. Often utilizing futuristic settings or imagining worlds that exist parallel to our own, sci-fi stories explore how advanced technology could go wrong for individuals or societies.

The “what if?” approach to the genre allows authors to examine earthly themes of love, loss, family, and morality through an intriguing, fantastical lens. For example, in her novel Elsewhere, Alexis Schaitkin takes the reader to a cloud village where women are programmed to serve as wives and mothers, but face a host of challenges that society downplays — like self-doubt and loss of bodily autonomy.

A debate exists over when science fiction began; while some consider Mary Shelley’s 1818 classic Frankenstein to be one of its earliest progenitors, the term itself didn’t emerge until 1926, when Hugo Gernsback published Amazing Stories. Today, the genre can be seen in everything from space operas to dystopian novels such as George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World.

Horror

As a subgenre of speculative fiction, horror is designed to scare, unsettle or horrify. It often involves gory, supernatural or otherwise scary content and has a dark, macabre focus.

The defining characteristics of this genre are that it is based on ideas rather than characters and that the story is designed to invoke an emotion in the reader or viewer. This is what separates horror from other speculative fiction genres, such as science fiction, which can be brilliantly written but if it fails to engage the reader or viewer emotionally then it fails.

Like its Great-Grandmother genre Science Fiction, Speculative Fiction can also use futuristic and supernatural situations as metaphors for discussion of real-world taboos. This is the approach taken by authors such as Octavia Butler, who wrote about a world in which mixed-race children are able to be born and live without prejudice; and more recently by N.K. Jemisin, Charlie Jane Anders and Colson Whitehead who use speculative fiction to explore the experiences of historically marginalised communities.

Superheroes

Despite some crossover with science fiction and fantasy, superhero stories are often considered to be a genre of their own. They usually take place in a world that looks quite familiar to our own with carefully chosen fantastical alterations, but with protagonists who have superhuman powers that defy logical and scientific explanation. Death is rare in this genre, and characters who do die are often brought back to life via supernatural means or by retcons (changes to established continuity), which have the effect of retroactively wiping out previous deaths.

Like horror and fantasy, superhero fiction often explores themes that go against commonplace materialist assumptions about the natural world. Stories centered around superheroes who fight supervillains can be both serious and relentlessly silly, but they are also frequently seen as heroically uplifting, which may explain their popularity during World War II when paper rationing sparked a need for simple tales of good triumphing over evil. A superhero’s secret identity is another common trope in this genre.

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The Popularity of Science Fiction in Literature

The popularity of science fiction in literature has grown over the years. Books like The War of the Worlds, Brave New World, and 1984 have gained a literary reputation, as well as the Hugo and Nebula awards.

However, not all critics think that sci-fi is literary. This could be due to a belief that science fiction is merely a series of odd metaphors for the human condition.

Origins

The exact origins of science fiction remain contested, with scholars and devotees holding a wide variety of theories. Some argue that science fiction has roots in ancient fantastical works such as the Epic of Gilgamesh, while others trace its development to the 17th and 18th centuries, following the scientific revolution and major discoveries in astronomy, physics, and mathematics.

The first major science fiction work was Mary Shelley’s Frankenstein, or the Modern Prometheus (1818), a novel of the creation of man and its disastrous aftermath. Soon after, H.G. Wells published a story of air flight in 1895, nearly a century before the Wright brothers took off into the sky.

Wells’s novel is notable for its use of scientific imagining to explore the future of society. This genre-defining technique, also known as social extrapolation, is the basis for most science fiction writing to this day. It is the lynchpin of verisimilitude and, in many cases, opens up new trains and channels of thought in the reader.

Themes

While many science fiction stories do focus on inventive technologies and futurism, the genre can also explore a variety of other themes. A common one concerns the potential for a dystopian society, often based on some type of government control or technology that takes over human life. These dystopian societies can be benign, like the computer-controlled world in Star Trek or Brave New World, or a more sinister example like the one depicted in The Stand.

Likewise, sci-fi stories involving aliens and other creatures from outer space can explore our fear of the unknown and our desire to understand other cultures. Additionally, a large number of science fiction works examine the limits of the human mind. Some of these stories portray characters with abilities like telepathy, which can be used for good or bad. Themes like this have a long history in literature, spanning back to Mary Shelley’s 1818 classic Frankenstein and earlier. Other popular science-fiction themes include time travel, first encounters with alien species and alternative universes.

Techniques

As a literary genre, science fiction lays its cards on the table when it comes to social commentary. Its premise is that human beings are able to project what they see around them into the future and extrapolate into multiple scenarios.

This enables sci-fi writers to present their work as prophetic warnings, utopian aspirations or extravagant scenarios for entirely imaginary worlds. It also allows them to display every conceivable attitude toward the process of techno-social change from cynical despair to cosmic bliss.

Other techniques commonly employed by sci-fi writers include describing alien creatures and planets, incorporating futuristic technology, depicting space or time travel and imagining life on other planets. They often rely on a set of rules to establish the setting and to make it plausible for their characters to operate within it. These rules may vary, but many of them are grounded in real scientific principles and advancements. These include the laws of physics and biology.

Influences

Whether science fiction’s authors are intentionally prescient or are simply channeling the whispers of innovation that surround us in our daily lives, many of their ideas become reality. Edward Bellamy’s novel Looking Backward extrapolates a future society, for example, while Robert Heinlein’s Stranger in a Strange Land envisions an interstellar civilization.

Other works that have influenced science fiction include Mary Shelley’s Frankenstein, which depicts a mad scientist’s attempt to create life; Jules Verne’s 20,000 Leagues Under the Sea, which describes underwater exploration; and Jonathan Swift’s Gulliver’s Travels, which features a voyage to the center of Earth.

Modernist literature developed techniques that are now a hallmark of science fiction, including alienation (settings and behaviors commonly seen as normal appear strange to the characters in the story). In addition, modern science fiction often tackles controversial social and political issues such as overpopulation, apocalypse, and environmental degradation.

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